Museum  November 7, 2023  Carlota Gamboa

10 Standout Works from the 2023 Made in L.A. Biennial

Created:
Author: rozalia
Courtesy of the artist. Various Small Fires, Los Angeles / Dallas / Seoul, and MASSIMODECARLO, Milan / London / Paris / Beijing / Hong Kong

Made in L.A. is the Hammer Museum at UCLA's much-anticipated biennial and also its temperature-check on the L.A. art scene. For this year's biennial, called Acts of Living, curators Diana Nawi and Pablo José Ramírez hope to spark a reparative conversation between community histories and collective isolation. 

"We believe that all the practices we’re representing at the biennial have to do with life and how the artistic work is rooted in people's community,” said Ramírez during the walk-through preceding the show's opening in early October. “It’s not thinking about production for production’s sake.”

The show opened shortly before Museum Director Ann Philbin announced her retirement after 25 years of tenure. Responsible for eliminating the admissions fee in 2014 and increasing the annual budget from $6 million to $28 million, Philbin acquired more than 4,000 works of
contemporary art under her leadership and has been instrumental in transforming the institution into a relevant space. A successor has not yet been announced.

On view until December 31, Acts of Living takes its title from a quote by artist Noah Purifoy that is on a plaque at the Watts Towers: “One does not have to be a visual artist to utilize creative
potential. Creativity can be an act of living, a way of life, and a formula for doing the right
thing.” Illustrating this concept, the curators brought together 39 artists in a varied ensemble of
local microcosms. Here are ten highlights. 

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Courtesy of Roger Gastman and the Hammer Museum UCLA
Michael Alvarez, Gnarmageddon (Ode to Jkwon), 2016.
Michael Alvarez, Gnarmageddon (Ode to JKwon), 2016

Portraiture stands out with pieces like Michael Alvarez’s (b. 1983, Los Angeles) Gnarmageddon (Ode to JKwon), which pays homage to East Los Angeles through the lens of the artist's personal history. Using a combination of oil, pencil, oil pastel and spray paint, he captures the essence of forms in movement, and his bustling skater scene gets to live in a space of temporal ambiguity, making the work all the more personal.

Image credit: Michael Alvarez, Gnarmageddon (Ode to Jkwon), 2016. Oil, spray paint, oil pastel, pencil, and collage on panel. 60 × 72 in. (152.4 × 182.9 cm).

 

About the Author

Carlota Gamboa

Carlota Gamboa is an art writer based in Los Angeles.