Titian

Rest on the Flight into Egypt by Titian, c.1510
A Twice-Stolen Titian Expected To Break Personal Sale Record In July

Tiziano Vecello, otherwise known as Titian, is estimated to set a new…

Giorgione allegorical painting of a nude female figure drawing water from a well while figures behind her play instruments in the grass
How Pastoral Landscapes Paved the way for Cottagecore
The contemporary pastoral reverie known as cottagecore is one of the visual trends that has defined 2020.
Sandro Botticelli, Storie di Lucrezia, 1504. Tempera and oil on wood, Isabella Stuart Gardner Museum, Boston
Lucretia’s Many Bodies Through the Ages

The figure of …

conservator looks at computer in front of several paintings
Modern Discoveries About Titian's 'Poesie'
A look 'beneath' Titian's canvases reveals the tweaks and changes he made as he worked over four hundred years ago. Find out more with Restorer Jill Dunkerton.
Mary Beard examines prints of Titian paintings
Classicist Mary Beard on Titian and Ovid
Copies of the Roman poet Ovid's 'Metamorphoses' take up a lot of shelf space in Mary Beard's study, she looks at Titian's reinvention of the tales.
craftsman works on masterpiece frame
How Museums Make Huge Frames for Masterpieces
Peter Schade, the Head of the Framing department at the National Gallery, shows the process of creating six huge matching frames for the Titian: Love Desire Death exhibition. Matthias Wivel, Curator…
Artemisia Gentileschi, Judith and Holofernes, ca. 1612–17. Oil on canvas. Museo e Real Bosco di Capodimonte.
Flesh and Blood: Italian Masterpieces from the Capodimonte Museum
Traveling from the Museo e Real Bosco di Capodimonte in Naples, the exhibition offers a rare opportunity to see works by significant Italian, French, and Spanish artists who worked in…
Alice Tate-Harte as she works to restore Titian's 'Orpheus Enchanting the Animals'
Painting Conservation: Restoring Titian's Orpheus
Join Collections Conservator Alice Tate-Harte as she works to restore Titian's 'Orpheus Enchanting the Animals' from the Wellington Collection at London's Apsley House.