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At the Museum of Arts and Design (MAD), Beth Lipman’s sumptuous feasts in glass glisten under the gallery lights.
The groundbreaking designs of Pierre Cardin have been giving us a look at the future for nearly seven decades.
Known for her bold-hued, pared-down geometric paintings, the 105-year-old Cuban-American artist has created her first series of large-scale, monumental sculptures.
For the first time in forty-five years, the Royal Collection is being rehung in a new location.
Palazzo Grassi, the contemporary art museum of the Pinault Collection in Venice, is hosting the exhibition Henri Cartier-Bresson: Le Grand Jeu, co-organized with the Bibliothèque National de France and the Fondation Henri Cartier-Bresson.
For six months the 2020 iteration of Made in L.A. has been on ice. It is art without an audience, hanging in an existential funk.
Though a contemporary of the great Impressionist and Post-Impressionist painters, Paul Cézanne had his own distinctive style and interests
DRIVES is South African artist Jo Ractliffe’s first-ever retrospective, featuring more than 100 works of photography, video, book art, and multimedia installation.
Thirty-six years after his death, Elijah Pierce is receiving more acclaim than ever.
The Peabody Essex Museum takes a more personal look at the Salem Witch Trials this fall.