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Though his works feature prominently in many of Canada’s most prestigious arts institutions and he is considered one of the country’s most celebrated modernist artists, David Milne has been described as having worked at the periphery of Canadian modernism.
The exhibition ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now presents, for the first time, historical civil rights-era prints by Chicano artists alongside works by graphic artists working from the 1980s to today.
As the owner of contemporary art by luminaries such as Cy Twombly, Cindy Sherman, and Andy Warhol, Baltimore-based writer and filmmaker John Waters might have considered offering his collection to a large national museum because of its prestige, reputation, and attendance.
Palazzo Grassi, the contemporary art museum of the Pinault Collection in Venice, is hosting the exhibition Henri Cartier-Bresson: Le Grand Jeu, co-organized with the Bibliothèque National de France and the Fondation Henri Cartier-Bresson.
The Savannah College of Art and Design (SCAD) returns for fall with an all-virtual Open Studio event, offering art collectors and enthusiasts exclusive access to work by the university’s community of talented artists.
The great American artist Wayne Thiebaud turns 100 on Sunday, and he seems unfazed.
The Reading Public Museum is pleased to present Alphonse Mucha: Master of Art Nouveau which includes more than 70 original works by the artist many consider the creator of the Art Nouveau style. From 1895 to 1910 Alphonse Mucha (1860–1939) was one of the most significant artists in all of Europe.
For six months the 2020 iteration of Made in L.A. has been on ice. It is art without an audience, hanging in an existential funk.
Known for her symbolic use of the nude self-portrait, artist Julie Heffernan’s style can be described as a contemporary mix of Rococo, Surrealism, and Baroque, with a dash of the seventeenth-century Dutch still-life Masters.
The Menil Collection is pleased to present Silent Revolutions: Italian Drawings from the Twentieth Century, the first large-scale survey of twentieth-century Italian drawings mounted in the United States.
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