Artists Manifest Connection at The Contemporary Jewish Museum

Guest curator Elissa Strauss says the exhibition creates a “platform for Jewish artists from throughout the state to exhibit their work and to delve into the many facets of what it means to seek out connection today.” 

She adds that the exhibition reflects “a core piece of Jewish culture: the belief in dialogue, debate, and questioning as a fertile source for sparking discussion and attempting to understand the world. This process is something Jews have long thought of as holy work.”

Carefully organized by Strauss into four categories— Earth, Human, Past/Future, and Divine— this nuanced collection encompasses a variety of opinions, experiences, and artistic approaches. Explanatory wall text lists the artist and artwork details, along with some curatorial notations from Strauss and a quote from each artist. 

Spanning the gamut from photography and painting, to participatory installations, the artwork explores Jewish identity, decries injustice and racism, investigates the world situation, and explores moments of connective joy. Some of the work also expresses solidarity with the Palestinians and grief over Hamas’ attacks.

There are also blank spaces on the walls, marking places for absent artwork, with the quote “to honor the perspectives that would have been shared through these artworks, and to authentically reflect the struggle for dialogue.” 

Seven artists withdrew their work from the exhibition in April. One had concerns about how her installation would be contextualized within the show, while six are part of a coalition— the California Jewish Artists for Palestine (CJAFP)— who withdrew their work when the CJM could not meet their participation conditions, including divestment from Israeli government sources and “pro-Israel philanthropic organizations, funders, and board members.” 

This curatorial choice creates a thoughtful tension in the viewer. Leaving space for the absent artwork and missing perspectives honors these artists and respects their choices while encouraging critical thinking about why the artists chose to withdraw. 

The first piece in the exhibition, Bonny Nahmias’ The Orchestra Of Space Holders, uses a pair of tin can telephones and charmingly dreamy illustrated books whose thoughtful prompts encourage viewers to literally connect. 

In a panel from one of Nahmias’ books, two figures— reminiscent of astronauts with blue-black bullseyes over their hearts— reach out to each other across a rose pink ink-washed background. The corresponding text reads, “Decrease negative space between you and them.”

Part of a series centered around the Biblical story of Adam and Eve, Liz Lauter’s sculpted female head, Bride— inspired by the traditional folk art structure of the Mexican Arbol de La Vida— peers hopefully into the future, wearing an ornate botanical headdress. 

Full of looping dark shapes and bright circular accents, Amy Trachtenberg’s strikingly abstract and wonderfully tactile wall hanging, When I see you the sky is blue. When I don’t see you, the sky is blue, was created using deconstructed cotton, spandex and silk bras, steel and brass wire, acrylic paint, and glass. The piece invokes associations with the body, memory, and the environment.

Many of the pieces engage our shared humanity. Meirav Ong’s installation Grief Stones creates a sympathetic resonance of shared history and grief. Visitors are instructed to pick up porcelain stones and “imagine holding hands with a child in Gaza.” The stones are then placed on a pile resembling a Jewish gravesite.

The California Jewish Open offers vital space for Jewish artists to explore this complex and challenging time while reinforcing the importance of connection through the shared experience of art.

According to Heidi Rabben, Senior Curator at The Contemporary Jewish Museum, this “moving and timely exhibition brings together a very diverse and powerful group of works reflecting the many ways Jewish artists are seeking connection to aspects of Jewish identity, culture, history, and practices.”

As it reflects “the Jewish community’s experience of tremendous grief and fracture,” the exhibition “aims to both sincerely and respectfully reflect that struggle as well as the hope to arrive at or restore some kind of connection through it,” making it “at various turns joyful, somber, humorous, and poignant.”

Rabben truly believes “everyone who visits will find at least one artwork in the exhibition that they will find deeply meaningful.” She adds a statement from one visitor, “Seeing the show felt like receiving a hug, which is a beautiful response that we hope others will experience as well.”