Luces y Sombras means Lights and Shadows, a fitting title for an extraordinary show of 45 black and white photographs of 20th century Mexico.
Art News
When so much of contemporary art feels like an assault on our senses reflecting the political, cultural, environmental, and psychologically fraught moment we find ourselves in, a new exhibition offers a respite.
A new exhibition is not only to shedding light on a lesser-known aspect of Japanese culture, female warriors, but is also pushing to include in the definition of “warrior” women beyond the military environment.
The Baltimore Museum of Art (BMA) has announced a radical new plan to make their museum and its collection more inclusive. As part of their 2020 Vision strategic plan, the museum will only purchase and exhibit works by women artists for all of 2020.
Drawing from its extensive archive—nearly 9,000 works from 850 international photographers—the MOPA is exploring the history and development of photography in the past hundred years with The Stories They Tell.
Seventy years ago, the Communist leader Mao Zedong officially founded the People’s Republic of China. It was October 1st, 1949, and the French photographer Henri Cartier-Bresson had left China just a few days before after being in the country for ten months.
More than a decade in the making, three years under construction, and $24 million later, the newly reborn Asheville Art Museum opened its doors last week, welcoming visitors into what feels like an entirely new building.
Andy Goldsworthy is a much-in-demand international figure known for creating ephemeral earthworks documented in meticulous photographs, and now New England has one of their own.
There is a strong link between Ernest Ludwig Kirchner’s romantic relationships with women and his artistic output.
This exhibition provides an unprecedented opportunity to view a group of drawings by renowned Renaissance artist Michelangelo that have never been seen in the US before.
