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This list presents a handful of notable, historical moments from the institution's 150-plus years of existence. From the museum’s murky accession of its first artwork in 1870  to the ground-breaking introduction of its Open Access Initiative in 2017, The Met and its artworks have reflected the cultures they came from.
In collaboration with Gary Nader of Gary Nader Art Centre, Pace Gallery is pleased to present Wifredo Lam: The Imagination at Work, an exhibition of paintings, works on paper, and rarely seen bronze sculptures, including a significant loan from the Santa Barbara Museum of Art, at its 510 West 25th Street space in New York.
Twenty-four exemplary works acquired over the last two years from the Souls Grown Deep Foundation, one of the most important organizations supporting the work of African American artists from the southern United States, will debut in January at the Toledo Museum of Art in Living Legacies: Art of the African American South.
In a perfectly paired yin-yang juxtaposition of exhibitions, two artists—Ana María Hernando and Yoshitomo Saito—show works inspired by nature, yet rendered in extremely different media. Coincidentally, both attended the California College of Arts and Crafts in Oakland, CA. The creative energy evident in these exhibitions is nonconformist, particularly in the artists’ use of media.
This winter, in his first collaboration with a major UK gallery, American artist Kehinde Wiley will explore the artistic conventions and canons of the Western landscape tradition—mountainous, coastal, sublime, Romantic and transcendental—through the mediums of film and painting.
Midway through October, tech experts Anthony Bourached and George Cann were prepared to unveil their AI-generated recreation of a lost Picasso at London’s Deeep AI Art Fair, when they received a letter from the U.K. side of Picasso’s estate demanding they cease and threatening legal action.
As of this month at Colnaghi, audiences will have the once-in-a-lifetime opportunity to experience rare and newly discovered masterworks by some of the greatest artists of the Italian Renaissance, including Donatello, Tintoretto, Antonio Lombardo, and Benedetto da Rovezzano, in a special exhibition at the gallery’s New York space.
Davie’s works are at once anxiety-producing, witty, and enigmatic. She takes us both inside and outside the body, through wild dancing lines, swirling movements, and smashed-up forms; pushing upward and outward and roundabout. There’s a unity to it all—mind, body, landscape—tightly bound, keeping the viewer in tow.
Savannah College of Art and Design (SCAD) is pleased to present the fall installment of the university’s much anticipated Open Studio event, returning November 5-7 for a virtual showcase and in-person viewing experience. This limited-run event has become a go-to destination for art enthusiasts, collectors, and interior decorators to discover “what’s next” in art and design.
On December 12, the Baltimore Museum of Art will invite the public in to two new study centers—The Ruth R. Marder Center for Matisse Studies and The Nancy Dorman and Stanley Mazaroff Center for the Study of Prints, Drawings and Photographs. Both have been designed to increase access to and engagement with two very special collections held by the museum.
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