The aim of CIBO is to remind us that food is the unique and yet universal component that connects human beings across the globe.
Art News
This Fall, the Peabody Essex Museum (PEM) presents a fresh perspective on the artist and teacher widely considered to be one of the most influential American artists of the 20th century.
Since booking one of the most prestigious commissions an artist can get, Sherald has emerged as one of the most important voices in American contemporary art.
![Arthur Rothstein, Girl at Gee’s Bend, Alabama [Artelia Bendolph], April 1937](https://cdn.artandobject.com/sites/default/files/styles/image_10_column/public/im033860-intpress.jpg?itok=C6DqFi_r)
From September 21, 2019 to January 19, 2020, the Art Institute of Chicago presents Photography + Folk Art: Looking for America in the 1930s, an examination of American art at the height of the Great Depression.
It has been decades since so many works by Albrecht Dürer (1471–1528) have been seen in one place: thanks to valuable international loans, Vienna’s ALBERTINA Museum—itself home to numerous world-famous icons of drawing by Dürer including the Hare, Praying Hands, and Large Piece of Turf—will be presenting over 200 examples of Dürer’s drawings, printed graphics, and paintings in autumn 2019.
Every summer and fall connoisseurs and collectors of Asian art gather in New York for Asia Week.
This September, Gallery Henoch is pleased to present The Female Eye, a group exhibition of 11 contemporary female realist painters investigating their present-day truths as womens’ issues continue to forge to the forefront of modern concern.
Far from facing extinction, there is a resurgent interest in books made by artists as well as publishers specializing in books about art.
The J. Paul Getty Trust will embark on an unprecedented and ambitious $100-million, decade-long global initiative to promote a greater understanding of the world’s cultural heritage and its universal value to society, including far-reaching education, research, and conservation efforts.
Eve Arnold was a woman in a profession dominated by men. She strongly opposed the label of “woman photographer” because she simply wanted to be recognized as a photographer who happened to be a woman.
