Usually, this many bugs in an art museum would result in an urgent call to the exterminator. But when Canadian artist Jennifer Angus is in town, an infestation becomes a thing of incredible beauty.
Museum
'Nameless and Friendless' was painted in 1857 by Emily Mary Osborn. It captures a single woman trying, and failing, to earn a living as an artist in Victorian England.
The current exhibition at the Scottish National Portrait Gallery in Edinburgh, Scotland’s Photograph Album: The MacKinnon Collection, showcases the infinite, multiform beauty of Scotland, its people…
Art collector Mera Rubell insists her family didn’t set out to open a museum when it bought a series of food warehouses in Miami’s Allapattah neighborhood four years ago.
Tarnish is slowly engulfing one of the oldest objects in MoMA's collection, a daguerreotype from 1842.
With some pieces of view having never been seen outside of Malaysia, "Inspired by the East: How the Islamic World Influenced Western Art" is a relatively small exhibition with a large goal.
Luces y Sombras means Lights and Shadows, a fitting title for an extraordinary show of 45 black and white photographs of 20th century Mexico.
The mahout (elephant keeper), the turbaned Ottoman warriors, and the crowning crescent all allude to the Eastern origins of the elephant.