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You may know the Dia Foundation from their renowned upstate escape, Dia Beacon. And while this arts center is a gem of contemporary art and sculpture, the Foundation’s work goes far beyond this singular location.
British sculptor Phyllida Barlow challenged the conventions of sculpture for over fifty years. On Monday, Barlow’s gallery Hauser & Wirth, confirmed her recent passing. She was 78. 
Caspar David Friedrich, like other Romantic painters, established landscape paintings as a dominant genre in Western art. Friedrich’s coming of age was during a time when materialistic society began to favor spirituality. The artist followed this shift in ideals through expressing the natural world as a divine creation, a separate entity from human civilization. As French sculptor David d’Angers said, he was a man who had discovered “the tragedy of landscape.”
The mysteries of the life and inner-working of Vincent van Gogh have captivated art lovers for over a century. This month, a researcher with a keen eye made a discovery that gives us further insight into his last days and final masterpiece.
John Constable, a British landscape painter, is known for his works that capture ordinary daily life.
For the past two years, the Smithsonian has been working to gather support from donors on a proposed American Women’s History Museum. Last week, the Smithsonian announced over $55 million dollars in gifts that will help to solidify the museum’s future. Though it has yet to receive Congressional approval, it is a step in the right direction for the future museum’s place on the National Mall’s promenade.
Considering Holi and Diwali’s spectacularity, and a growing number of Indian immigrants ebbing westward into American and British media, it is a small wonder that these two Hindu festivals have developed a cultish following.
Okwui Enwezor (1963–2019) was so many things: a curator, an academic, a poet. But if you were to ask what was his biggest legacy, it would be that he brought African art history to the global stage.
Much as the late nineteenth-century American myth of Manifest Destiny was used to justify westward expansion, many history paintings worked to shape and uphold stories of superiority and inferiority. This popular genre of painting, especially when applied to the depiction of historical events, sheds light on the manner in which art can be used to manipulate the truth.
The Acropolis of Athens is often seen as a symbol of the city’s ancient and wonderous past. The Parthenon, constructed in the 5th century BCE, stands above modern Athens like a jewel atop a magnificent marble crown, overlooking a city that has persisted for millennia.
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