The Met Gala, the annual fundraising even for the Met Museum’s Costume Institute, was this past Monday. It is known for its extravagant and innovative fashion, and this year’s Gala did not disappoint.
Art News
Historical sites aren’t always what they seem. Many famous, seemingly well-preserved historic monuments, such as those on the Acropolis at Athens, are the product of anastylosis – the practice of restoring old buildings using the original material.
I graduated college in the early 1970s and wrote my Master’s thesis on Carlos Castaneda and Moksha as a form of Liberation. At that time, I was reading Alan Watts and Joseph Campbell, attending Sufi dance performances, going through Jungian therapy, studying William Blake, and even contemplating a trip to Lindisfarne.
The 2021 Netflix documentary by Joshua Rofé examines Ross’ life and career, piecing together old photos, TV footage, and interviews with friends, family, and coworkers to give a sense of the man, his art, and his contested legacy.
Iconic American sculptor Alexander Calder (1898―1976) invented “mobiles”―carefully balanced, often whimsical kinetic hanging sculptures, powered by wind or motors.
The first director of the Museum of Modern Art, Alfred H. Barr Jr, said that a museum was a vehicle in motion: forward-moving, adaptive, and contemporary.
The concept of gender has proven to be a tempestuous topic for decades now.
With, “Entrance to the Mind: Drawings by George Condo,” The Morgan Library offers a modest, but impactful, survey of the artist’s works on paper dating as far back as the mid-1970s.
Art & Object looks back at a 2021 conversation with the in-demand artist to discuss her initial interest in art, opportunities that have come her way and how they have impacted her work, and her paintings in "Loose Screw," her LA solo show premiere at Blum & Poe.
If you haven’t been keeping up with what’s going on at the Orlando Museum of Art, buckle in, this one is weird and getting more interesting by the day. Last week, Los Angeles based auctioneer Michael Barzman confessed to playing a major role in producing dozens of fake Jean-Michel Basquiat works, many of which were displayed in a 2022 exhibition at the OMA, “Heroes & Monsters.” In the plea agreement that was also filed last week, Barzman agreed to plead guilty to the felony offense and made a series of admissions about the fake paintings.
