More than 20 years after the legendary exhibition Johannes Vermeer, the National Gallery of Art, Washington, presents Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. On view in the West Building from October 22, 2017, through January 21, 2018, the exhibition examines the artistic exchanges among Dutch Golden Age painters from 1650 to 1675, when they reached the height of their technical ability and mastery at depicting domestic life.
Art News
This spring, the Philadelphia Museum of Art presents Channeling Nature by Design, an exhibition that explores how designers have incorporated inspiration from the natural world into their work from the mid-nineteenth century to the present. From handmade to machine-made, Channeling Nature by Design offers an in-depth look at the complex and ever-evolving relationship with nature through works that range from the utilitarian to the extravagant.
The Fine Arts Museums of San Francisco present The Summer of Love Experience: Art, Fashion, and Rock & Roll, an exhilarating exhibition of iconic rock posters, photographs, interactive music and light shows, costumes and textiles, ephemera, and avant-garde films at the de Young.
This summer, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) will mount the first museum exhibition in over six decades to explore the legacy of Charles Howard, a pivotal figure in the Surrealist and abstract art movements of the mid-twentieth century. Charles Howard: A Margin of Chaos will showcase more than 50 works by the artist, drawn from the collections of many esteemed museums across the country, that chart his affiliations with Surrealism and abstraction, as well as his previously underexplored roots in the Bay Area and its influence on his work.
This spring, the Harvard Art Museums will present The Philosophy Chamber: Art and Science in Harvard’s Teaching Cabinet, 1766–1820, a special exhibition that brings together many long-forgotten icons of American culture. It will present new findings on this unique space—equal parts laboratory, picture gallery, and lecture hall—that stood at the center of artistic and intellectual life at Harvard and in New England for more than 50 years.
SAM’s Olympic Sculpture Park presents Spencer Finch: The Western Mystery (April 1, 2017–March 3, 2019), a site-specific installation for the sculpture park’s PACCAR Pavilion. Composed of 90 glass panels suspended from the ceiling, the installation by the internationally celebrated artist creates an overlapping and constantly moving constellation of colors—pinks, purples, oranges, yellows, and blues—based on sunsets photographed from the sculpture park over Puget Sound.
The North Carolina Museum of Art (NCMA) has received a $149,500 matching grant from the Institute of Museum and Library Services (IMLS) to complete a multidisciplinary, 10-phase conservation project on a work of art that has been in the Museum’s collection for almost six decades: the composite marble Statue of Bacchus. The project, which includes a derestoration of the sculpture and research on its history, will culminate in a special exhibition and public programming.
The Seattle Art Museum announced today that an important pair of 17th-century Japanese screens from the collection will undergo major conservation work, thanks to funding from the Bank of America Art Conservation Project.
The Fine Arts Museums of San Francisco are pleased to present Monet: The Early Yearsat the Legion of Honor. This will be the first major US exhibition devoted to the initial phase of Claude Monet’s (French, 1840–1926) career. Through more than fifty paintings, the exhibition demonstrates the radical invention that marked the artist’s development during the formative years of 1858 to 1872. In this period the young painter developed his unique visual language and technique, creating striking works that manifested his interest in painting textures and the interplay of light upon surfaces.
Exhibition celebrates 175th anniversary of Arabic studies at Yale with works by Egyptian, Iraqi, Lebanese, and Syrian artists on loan from the Barjeel Art Foundation
