Hirshhorn Announces First US Retrospective of German Artist Georg Baselitz in 20 Years
Exhibition Features Works Never Before Seen in US
Art News
The IPHF annually awards and inducts notable photographers or photography industry visionaries for their artistry, innovation, and significant contributions to the art and science of photography.
Thomas Struth’s recent explorations of the natural and high-tech worlds are on display in a show of work that has not been previously exhibited in the United States.
A major retrospective at The Metropolitan Museum of Art—the show’s only North American venue, opening November 27, 2017—honors the artist in the year of his 80th birthday by presenting his most iconic works and key moments of his career from 1960 to the present.
NEW YORK, NEW YORK: The Directors of Marlborough Gallery are pleased to announce New York on My Mind, a solo exhibition comprised of recent works by the American artist, Red Grooms. The exhibition will open on Tuesday, November 28th with a reception from 6:00 – 8:00 pm, and will continue through December 28th.
Cleveland, OH (November 21, 2017) –Heritage: Wadsworth and Jae Jarrell examines the work and enduring legacy of Wadsworth and Jae Jarrell (Americans, b. 1929 and 1935). Inspired by the Cleveland Museum of Art's recent acquisition of Heritage, a 1973 painting by Wadsworth Jarrell, the exhibition features 18 works from the mid-1960s to the present in a dazzling array of colorful paintings, sculptures and textiles.
New York—Pace Gallery and Pace/MacGill Gallery are honored to announce their representation of The Richard Avedon Foundation with an exhibition of Richard Avedon’s photographs and extensive archival materials drawn from Nothing Personal, Avedon’s 1964 collaboration with James Baldwin.
Co-organized by four institutions, Berthe Morisot, Woman Impressionist<\i> will focus on the artist’s figure paintings and portraits through approximately 50 to 60 paintings from both public institutions and private collections.
A collector who traded a pair of "old Texas spurs and a few dollars" for a brown basket, which sat on his TV stand for 25 years, is $55,000 richer.
A fuse was lit in the 1953 art world when Robert Rauschenberg convinced artist Willem de Kooning to allow him to erase one of his drawings; fellow artist Jasper Johns executed the inscription within the frame: “ERASED DE KOONING DRAWING ROBERT RAUSCHENBERG 1953.”
