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Focusing on intimate gesture and free experimentation, “Close at Hand” reveals a breadth of formal, conceptual, and material approaches to sculpture, including assemblages, ceramics, and found objects.
Looking at Avedon’s mid-century portraits feels like his camera was at once a laser beam and a spotlight, seeing presciently through the haze of history.
Marlborough Contemporary, New York is pleased (and slightly nervous) to present Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the legendary Survival Research Laboratories. The exhibition, the first solo presentation by SRL in a commercial gallery, comprises eight kinetic sculptures dating from 1986 to the present, along with video documentation of past performances in which these machines were engaged. 
The Los Angeles County Museum of Art (LACMA) is pleased to present Wu Bin’s Ten Views of a Lingbi Stone, featuring one of the most extraordinary paintings of a stone ever created. In ancient China, strange and marvelous stones were valued for their beauty and as reflections of the hidden structures underlying the universe. Stones were seen as fluid and dynamic, constantly changing, and capable of magical transformations. Wu Bin’s Ming dynasty handscroll, painted in 1610, comprises 10 separate views of a single stone from the famous site of Lingbi, Anhui Province.
“Florine Stettheimer: Painting Poetry” is the first show of its kind in twenty years, and Stettheimer’s first ever retrospective in Canada. It offers unprecedented insight into the paintings, drawings, writings, and overall aesthetic of the twentieth century New York-based female artist. The exhibition makes up for lost time by comprehensively extending beyond the works on display to include poignant spatial design. In short, the exhibition is atmospheric. No sign of the era’s wartime strife or uncertainty makes its way into this space.
Ahead of a Sotheby's auction of Important Judaica on December 20, the Metropolitan Museum of Art purchased a rare illuminated Hebrew Bible. Sotheby's estimated the text's value between $3.5 and $5 million, but before bidders had a chance, the Met swept in, making a pre-auction private purchase for an undisclosed amount.  
The Directors of Marlborough Gallery are pleased to announce an exhibition of new paintings by the American artist, Vincent Desiderio.
Washington, DC—The National Gallery of Art announced on December 19th the acquisition of a major portrait bust by one of the most renowned sculptors of the Romantic era, Pierre-Jean David d'Angers (1788–1856). David d'Angers's public monuments and portraits of intellectuals and political figures capture the charged spirit of the epoch like no others.
As the end of 2017 nears, so does the expiration date on a $10 million reward offered by the Isabella Stewart Gardner Museum for information leading to the recovery of their famously stolen paintings.
The Minneapolis Institute of Art (Mia) will present an exhibition of video work by New York­–based artist Kenneth Tam (born 1982) starting December 23, 2017. “Kenneth Tam: Cold Open” challenges societal norms and assumptions regarding the male body as it explores themes of physical intimacy, sexuality, and vulnerability. The exhibition will be on view at Mia through April 8, 2018.
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