The popular imagination often dismisses Byzantium’s aesthetic as a static, even regressive contrast to classical technique. Sumptuous and flattened, Byzantine methods abhorred naturalism, and designed art as they did their empire (330 to 1453 CE): as an earthly mirror of Christian heaven. However, this stylization endowed art from the Eastern Roman empire—particularly mosaics—with a politicizing contemporaneousness.
Art News
The monumental cemetery of Milan (Cimitero Monumentale) is among the famous and iconic monuments of Milan, such as the Duomo with its spectacular spires reaching up into the sky, or the imposing Castello Sforzesco with its majestic towers.
Since antiquity, fine jewels have been worn by royalty, to symbolize their power, opulence, and dignity as rulers of nations and empires.
The Met Gala, the annual fundraising even for the Met Museum’s Costume Institute, was this past Monday. It is known for its extravagant and innovative fashion, and this year’s Gala did not disappoint.
Historical sites aren’t always what they seem. Many famous, seemingly well-preserved historic monuments, such as those on the Acropolis at Athens, are the product of anastylosis – the practice of restoring old buildings using the original material.
The 2021 Netflix documentary by Joshua Rofé examines Ross’ life and career, piecing together old photos, TV footage, and interviews with friends, family, and coworkers to give a sense of the man, his art, and his contested legacy.
Iconic American sculptor Alexander Calder (1898―1976) invented “mobiles”―carefully balanced, often whimsical kinetic hanging sculptures, powered by wind or motors.
The first director of the Museum of Modern Art, Alfred H. Barr Jr, said that a museum was a vehicle in motion: forward-moving, adaptive, and contemporary.
The concept of gender has proven to be a tempestuous topic for decades now.
If you haven’t been keeping up with what’s going on at the Orlando Museum of Art, buckle in, this one is weird and getting more interesting by the day. Last week, Los Angeles based auctioneer Michael Barzman confessed to playing a major role in producing dozens of fake Jean-Michel Basquiat works, many of which were displayed in a 2022 exhibition at the OMA, “Heroes & Monsters.” In the plea agreement that was also filed last week, Barzman agreed to plead guilty to the felony offense and made a series of admissions about the fake paintings.
