“All the components together without the term ‘impressionism’ in the title is significant. We’re recognizing American art history for its complexity and richness.” Timothy Standring coined a descriptor for this era of American painting: “American Hybridity."
Art News
Each month, Art & Object is highlighting Sekka's best art stories. Here are the best art stories from Sekka from December 2021.
Join us in bidding 2021 goodbye with a review of our ten most popular stories of the year! Below, you'll find the names of our biggest stories, preview text, and direct links to each.
NOW Gallery is delighted to announce that multidisciplinary artist Lydia Chan has been selected for the 2021 Design Commission. The aim of this Commission is to create a space for visitors to come and perform in, interacting with the duality of science.
Like many other pulse-taking surveys of contemporary art, Greater New York was conceived as a way for MoMA, via its PS1 satellite, to put its institutional stamp on the zeitgeist by measuring it through a recurring interval of years.
Opening at Tate Britain in December, Life Between Islands will be a landmark exhibition exploring the extraordinary breadth of Caribbean-British art over four generations. It will be the first time a major national museum has told this story in such depth.
While his sardonic take on societal ills is omnipresent, the works are inevitably diminished out of context. Sure, you can step into an immersive room with four-wall projections, but immersive it isn’t. You can even try the VR tour of his work in situ, but it’s not the same.
Following the restitution of Nicolas de Largillière’s 18th century masterwork Madame de Parabère or Portrait of a Lady as Pomona by the Dresden State Art Collections to the heirs of the renowned Jewish collector Jules Strauss, Sotheby’s will offer the painting as a highlight of the upcoming Master Paintings & Sculpture Auction on 27 January in New York, and will mark one of the most significant works by the artist ever auctioned.
Chisenhale Gallery is pleased to present, say cheeeeese, a new commission by artist Rachel Jones and her first solo exhibition in an institution. Working with painting, installation and performance, Jones’ work examines ways of expressing that which can be seen and sensed rather than uttered.
This invitational exhibition focuses on Black artists, emerging and established, who, through a wide range of mediums, defy and embrace, test and talk about our shared reality. The title arises, in part, from one of our country’s foundational pronouncements in the Declaration of Independence.
