The Metropolitan Museum of Art announced this week that they had handed over their prized Coffin of Nedjemankh to the Manhattan District Attorney’s Office, the first step in returning the artifact to Egypt. The first-century BC gilded Coffin had been the centerpiece of the exhibition Nedjemankh and His Gilded Coffin, which opened in July 2018, and included 70 other Egyptian objects from The Met’s collection.
February 2019 Art News
Corrie is joined by actor friend and horror film buff Brian Muldoon to chat about Netflix's new horror satire situated in the contemporary art world, "Velvet Buzzsaw."
Aimee Ng, Associate Curator at The Frick Collection, provides an introduction to the exhibition 'Moroni, The Riches of Renaissance Portraiture,' on view at The Frick Collection from February 21 through June 2, 2019.
Marking the 100th anniversary of the founding of the influential German school of art and design, Sotheby’s Impressionist and Modern Art Evening and Day Sales will present artworks by those who taught at the Bauhaus and those whose outputs were transformed by its teachings.
Two Pulitzer Prize-winning authors published a book titled Van Gogh: The Life that stunned the art world. Therein, Gregory White Smith and Stephen Naifeh state that the artist didn't actually commit suicide.
The Detroit Institute of Arts (DIA) presents “From Camelot to Kent State: Pop Art, 1960–1975,” an exhibition that embraces the generation of artists known as Pop artists. In reaction to consumerism and popular mass media, these artists took inspiration from advertisements, logos, comic strips and television using new technologies of the time, working with master printers and publishers.
Haunting is the word that the press and the public are using to describe the retrospective dedicated to Sir Don McCullin on view at the Tate Museum in London through May 6. McCullin, born in London in 1935, has spent his life behind a camera, covering some of the most brutal conflicts of the twentieth century: Vietnam, Northern Ireland, Biafra, and Cambodia, just to cite a few.
Step inside Claude Monet’s Venice and experience how the water, buildings and light wowed the great master as he painted from his gondola.
Some of the best art schools in the country are in Los Angeles, the fruit of a long tradition of blue-chip practitioners like Catherine Opie, Robert Irwin and Millard Sheets teaching classes to the next generation. Among the largest exhibition spaces for contemporary art in the world, L.A. boasts a burgeoning downtown arts community, spreading to all corners of the city. The only thing missing is the art market. That’s about to change, if Victoria Siddall has anything to say about it. She’s the Director of Frieze Fairs—including Frieze London, Frieze New York, Frieze Masters, and now the inaugural Frieze Los Angeles, Feb. 15 through 17, on the backlot at Paramount Studios.
Open February 17 through October 6, 2019 at the Racine Art Museum (RAM), From Nature: Contemporary Artists and Organic Materials features primarily objects—sculptural, functional, and wearable—that incorporate items from the natural world as a means to explore materials and a way to investigate a variety of social, personal, environmental, and cultural issues.
