The Marriage of Saint Margaret and King Malcolm

Alexander Runciman (1736-1785) was a Scottish painter of historical and mythological subjects. He was born in Edinburgh, and studied at the Foulis Academy, Glasgow, and from 1750 to 1762 he was apprenticed to the landscape painter Robert Norie, later becoming a partner in the Norie family firm. He also worked as a stage painter for the Theatre Royal in Edinburgh. In 1767, he went to Rome, where he spent five years. During Runciman's stay in Italy he became acquainted with other artists such as Henry Fuseli and the sculptor Johan Tobias Sergel. Runciman's earliest efforts had been in landscape; he now turned to historical and imaginative subjects, exhibiting his Nausicaa at Play with her Maidens in 1767 at the Free Society of British Artists, Edinburgh. On his return from Italy after a brief time in London, where in 1772 he exhibited in the Royal Academy, he settled in Edinburgh, and was appointed master of the Trustees' Academy. He was patronised by Sir James Clerk, whose hall at Penicuik House he decorated with a series of subjects from Ossian. He also created various religious paintings and an altar-piece in the Cowgate Episcopal Church, Edinburgh, and easel pictures of Cymon and Iphigenia, Sigismunda Weeping over the Heart of Tancre, and Agrippina with the Ashes of Germanicus. He enjoyed a strong reputation as a landscape painter is his lifetime. Some of his works, due to their spontaneity, vigour of style and colour, and unorthodox composition, place him as an early exponent of modern art..