About The Artist
"I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after...
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The David Barnett Gallery is Wisconsin's premier gallery with the broadest range of art available in the region, including works of art that represent more than 600 artists. The gallery specializes in European and American masters, regional and nationally recognized artists and emerging artists. This gallery also offers museum quality custom framing, restoration, conservation, appraisals, printing, transportation and delivery. 
Route 66 Missouri: Former Antique Shop Sign, Phelps
Artist: Tom Ferderbar
Price:
$1,200.00
Medium: Photography
More Details
Creation Date: 2000
Materials: Archival Inkjet Print on Epson Premium Luster Paper
Dimensions: 14" x 12"
Condition: Excellent Condition.
Finish: Framed
About the Item: The Route 66 photographs date from 1980 to the present. The photographer’s first trip along Route 66 was in 1947. The artist has said: “My work reflects a melancholic response to the decaying remnants of that once grand route from Chicago to Santa Monica. It appears to me that even as they deteriorate, both the structures and roadways assert a defiant resistance to death. Nevertheless, however, all things do die, and these photographs will provide an abiding tribute to Route 66’s contribution to our nation’s heritage.”
The Route 66 Missouri photograph reflects the influence of Ansel Adams with whom the artist studied in the 1950s. The photo is a study in contrasts: the decaying stone and brick differs from the Route 66 sign, which is still crisp and sharp. This image shows the influence of the group f.64 which included Adams and other photographers. Group f.64 was intent on “truth” in photography and wanted to push the camera to “see” more clearly than the human eye. To this end, they used the small aperture, marked by the f-stop 64, which allows the camera to have an expansive depth of field.
Image Size: 10" x 8"
Paper Size: 13 3/4" x 11 1/2"
Frame Size: 16 1/8" x 13 7/8"
The Route 66 Missouri photograph reflects the influence of Ansel Adams with whom the artist studied in the 1950s. The photo is a study in contrasts: the decaying stone and brick differs from the Route 66 sign, which is still crisp and sharp. This image shows the influence of the group f.64 which included Adams and other photographers. Group f.64 was intent on “truth” in photography and wanted to push the camera to “see” more clearly than the human eye. To this end, they used the small aperture, marked by the f-stop 64, which allows the camera to have an expansive depth of field.
Image Size: 10" x 8"
Paper Size: 13 3/4" x 11 1/2"
Frame Size: 16 1/8" x 13 7/8"
About The Artist
"I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors.
In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts.
A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present."
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