About The Artist
Guy Lyman has been painting for about 30 years. "I always was and remain most drawn to so-called 'painterly' painters, whose interest is less in the formal aspects of painting than in the paint itself, and signs of the artist’s hand in its application. Initially, I was drawn to pain...
Facebook
Twitter
Email
About
My name is Guy Lyman, and I’ve been learning about, making and collecting art since my teens. These days, in addition to painting, I search the world for superb art that is undervalued and pass the savings on to discerning collectors. I offer a money-back guarantee on everything I sell. 
Quorum
Artist: Guy Lyman
Price:
$1,334.00
Medium: Painting
More Details
Creation Date: 2023
Materials: Paper, Charcoal, Pastel, House Paint, Oil, Acrylic, Clay
Dimensions: 24" x 24" x 1"
Finish: Unframed
About the Item: (Comes framed in a deep-profile maple or black floater frame, ready to hang.)
Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me."
“Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. "
Artbeit Zeitschrift
“His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.”
ArtSeen, 2018
(from a collector):
"Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans of Morris Louis and we see a Cy Twombly reminiscence in your work, but in a totally new original and fresh perspective in your work. We decided this morning that we would move/give away other work to add your to our collection if it is right for you. Thanks for sharing your talents. "
Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me."
“Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. "
Artbeit Zeitschrift
“His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.”
ArtSeen, 2018
(from a collector):
"Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans of Morris Louis and we see a Cy Twombly reminiscence in your work, but in a totally new original and fresh perspective in your work. We decided this morning that we would move/give away other work to add your to our collection if it is right for you. Thanks for sharing your talents. "
About The Artist
Guy Lyman has been painting for about 30 years. "I always was and remain most drawn to so-called 'painterly' painters, whose interest is less in the formal aspects of painting than in the paint itself, and signs of the artist’s hand in its application. Initially, I was drawn to paintings from the magical period between New York Abstract Expressionism and Pop Art, by artists such as Robert Rauschenberg, Jasper Johns, Jim Dine and Cy Twombly. In the 1980s, it was New York neo-Expressionists such as Julian Schnabel, Terry Winters and Donald Baechler." Lyman grew up in New Orleans, lived in various places in the U.S. and Europe, then returned to the Big Easy to open his Magazine Street gallery, which he sold in 2017, before moving into the art business entirely online. He still enjoys meeting fellow art collectors and painters when they visit New Orleans.
More Galleries to Explore
