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About The Artist
The anonymity of an artist can arise from several historical and cultural factors. In certain eras or societies, artworks were often products of collective endeavors rather than individual creations, leading to a lack of attribution. Additionally, historical records, vital for identifying artists, m...
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Second Story Art
About
Since purchased by Allan Stypeck in 1974, Second Story Books has grown from its small second floor location in northwest Washington, D.C., to become one of the largest used and rare bookstores in the world. During the pre-internet era of bookselling, Second Story Books had six locations from Alexandria to Baltimore, including the famous Georgetown Saville Bookstore location. With the growth of the internet, Second Story Books consolidated its brick-and-mortar presence into our two locations. ![Product Image for POULTRY AT A COASTAL FARMSTEAD [Signed]](https://www.artandobject.com/marketplace/uploads/20250124/poultry-at-a-coastal-farmstead-signed.jpg "POULTRY AT A COASTAL FARMSTEAD [Signed]")
POULTRY AT A COASTAL FARMSTEAD [Signed]
Artist: Unknown Artist
Price:
$500.00
Medium: Painting
More Details
Creation Date: 1900
Materials: Oil on canvas
Dimensions: 8" x 10"
Finish: Framed
About the Item: Oil on canvas, c. 1900. In Very Good condition in a Very Good gilt and wood frame. Painting measures w. 10 in. by h. 8 in. Frame measures w. 17 in. by h. 15.5 in. Minimal wear to canvas. Pigments vivid. Canvas has been restretched and stapled. Frame is contemporary. Informational label pasted to back. Signed by artist in lower left corner. Item no. P084. EH Consignment. Shelved Dupont.
About The Artist
The anonymity of an artist can arise from several historical and cultural factors. In certain eras or societies, artworks were often products of collective endeavors rather than individual creations, leading to a lack of attribution. Additionally, historical records, vital for identifying artists, may have been lost, damaged, or never created, particularly in periods where literacy and record-keeping were limited. Moreover, some artists may have deliberately chosen anonymity, eschewing personal fame to focus on the universal or communal message of their work. This anonymity can be a deliberate choice or a consequence of the socio-historical context in which the artist worked.
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