About The Artist
Daniel Klewer is best known for his painting process which over the years has evolved into him nearly doing away with the brush and implementing non-traditional paint application Klewer’s love of oil and acrylic paint is evident in his treatment of his abstract paint surfaces. He enjoys a meditat...
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The David Barnett Gallery is Wisconsin's premier gallery with the broadest range of art available in the region, including works of art that represent more than 600 artists. The gallery specializes in European and American masters, regional and nationally recognized artists and emerging artists. This gallery also offers museum quality custom framing, restoration, conservation, appraisals, printing, transportation and delivery. 
Passage
Artist: Daniel Klewer
Price:
$2,400.00
Medium: Painting
More Details
Creation Date: 2022
Materials: Acrylic on canvas
Dimensions: 24" x 18" x 2"
Condition: Excellent condition.
Finish: Unframed
About the Item: Daniel Klewer’s "Passage" is an acrylic painting on canvas which is part of the series “Linear Tactility.” The artist begins with a minimalist template—lines of paint on a canvas. However, the work belies minimalism with its attention to texture. The artist moves away from a brushed application of paint. The raised lines of paint have a tactile and sculptural effect, blurring the line between painting and sculpture. The sculptural paint seems to reach out toward the viewer, while the black color draws the eye back to the surface of the painting. The raised lines of paint also cast shadows, enhancing the sculptural nature of the work and constantly changing the work’s color and the viewer’s experience of it. Klewer investigates the visual and psychological resonance of color relationships in his work. The works’ titles are also a significant part of the work. Klewer chooses evocative words that are at once random and intentional. The resultant titles add another dimension to the interpretation of the paintings.
Klewer says about his work: “Light and color are driving forces in my work as I explore chromatic and tonal shifts. Primarily using a brushless paint application, the textured surfaces of the paintings document investigations in the relationship between paintings and sculpture. My work flows between vibrant spontaneity and meditative minimalism while delving into ideas of inner contemplation.”
Klewer says about his work: “Light and color are driving forces in my work as I explore chromatic and tonal shifts. Primarily using a brushless paint application, the textured surfaces of the paintings document investigations in the relationship between paintings and sculpture. My work flows between vibrant spontaneity and meditative minimalism while delving into ideas of inner contemplation.”
About The Artist
Daniel Klewer is best known for his painting process which over the years has evolved into him nearly doing away with the brush and implementing non-traditional paint application Klewer’s love of oil and acrylic paint is evident in his treatment of his abstract paint surfaces. He enjoys a meditative, sequential process where the spontaneity of the material is allowed to influence the direction of the work. Daniel was born and raised in Milwaukee and majored in art at the University of Wisconsin Green Bay. He also earned a Master of Arts in visual studies degree from Cardinal Stritch University. He is now based in Green Bay, Wisconsin and his work is inspired by the compositions and colors in the nature around him. Daniel Klewer continues to celebrate his love of oil paint in his ongoing series “Linear Tactility”. The paintings all share a consistent linearly divided composition. Color relationships, texture, and a brushless paint application dominate the paintings’ surface. The paintings unique, sculpturally-textured paint feels as if it is reaching off the canvas towards the viewer. The vibrant colors draw the viewer into the paintings’ surface, while the sharp cactus-like texture pushes back. Botanical Abstractions: Working in oil on canvas, Klewer produces works characterized by a lush paint surface. His works follow strict, self-imposed rules. The artist has a unique process of removing the paint surface, literally stripping back the initial gestural painting and re-attaching the removed paint to the edge of the canvas. As the surface on the painting is repeatedly scraped over, the original pictorial compositions are distorted, blurred, and given new life. These built-up layers of paint accumulated on the edge of the paintings record the artist’s unique process, and have become instantly recognizable as a process and language of painting all his own.
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