More Details
Creation Date: 2023
Materials: oil on panel
Dimensions: 12" x 9" x 2"
Condition: New, excellent
Finish: Unframed
About the Item: Charles Yuen’s discoveries are often of ambiguous domains populated by silhouetted figures engaged
in mysterious activities involving books, rocks, clouds, trees, snow, pointing, and juggling. His figures
could be school boys, musicians, shamans, animated shadows, anonymous individuals, or spirits.
Sometimes their arms hang down to the ground, reminding us of our distant ancestors, the apes, from
whom we split off around 7 million years ago in Africa. It is a world that exists apart from ours, yet
speaks to us about our anxieties, such as climate change, the fear of others, and our relationship to
science and knowledge. We are not sure how time is measured in Yuen’s worlds. - excerpt of essay by John Yau
in mysterious activities involving books, rocks, clouds, trees, snow, pointing, and juggling. His figures
could be school boys, musicians, shamans, animated shadows, anonymous individuals, or spirits.
Sometimes their arms hang down to the ground, reminding us of our distant ancestors, the apes, from
whom we split off around 7 million years ago in Africa. It is a world that exists apart from ours, yet
speaks to us about our anxieties, such as climate change, the fear of others, and our relationship to
science and knowledge. We are not sure how time is measured in Yuen’s worlds. - excerpt of essay by John Yau
About The Artist
Charles Yuen’s early encounters with the emotional potential of art began an enduring interest. After graduating with a BFA from the University of Hawaii (1975), his place of birth, Yuen made his way to New York City, collecting a MFA from Rutgers University (1981) in the process. Inspired by cultural differences in his new environment and an excitement over newly discovered ways of analyzing visual phenomena, Yuen dove into art making’s potential as social critique and personal fulfillment. Part catharsis and part poetics, Yuen has been investigating fluid definitions of realism and irrationality, advocating a subjective logic for humanist expression.
Now living in Brooklyn, NY, he has received the John Simon Guggenheim Memorial Foundation Fellowship (2018), Adolf and Esther Gottlieb Foundation (2011), Joan Mitchell Foundation (2006), Artists’ Projects: New York State Regional Initiative (1993), and an Artist in Residence (1983-4, Asian Arts Institute and New York State Council on the Arts). Numerous solo exhibitions include Slippery Harmonics of Imagined Phenomena, Pierogi Gallery, Brooklyn, NY; Between Here and Now, and Itinerant Visualist, both Pamela Salisbury Gallery, Hudson, NY; Crypto-somatic Incantation, Studio10, Brooklyn, NY; Casbah Paintings, Art in General, New York, NY; Psychographic, Metaphor Contemporary Art, Brooklyn, NY; Future Paradise, 490 Atlantic, Brooklyn, NY; You Are the Center of the Universe, Valentine Gallery, Queens, NY; Point Arabesque, Asian American Arts Center, New York, NY, and other more generically named shows at Elizabeth Harris Gallery, New York, NY; Leo.Tony Gallery, New York, NY; Robert Henry Fine Art, Brooklyn, NY; ADA Gallery, Richmond, VA; and the Downtown Gallery, Honolulu, HI.
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