About The Artist
George Grosz (1893-1959) was a pivotal German artist, most celebrated for his incisive satires of Weimar-era society. Born in Berlin, he matured in a politically tumultuous environment, which profoundly shaped his artistic vision. Initially influenced by Expressionism, Grosz later became instrumenta...
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Affordable Art 101 offers an outstanding selection of works on paper by the great artists, ranging from the Old Masters to Modern Art and Pop Art, at affordable prices well within the budget of the average collector. In business since 2005, we specialize strictly in prints: etchings, lithographs, silkscreens, aquatints, mezzotints and woodcuts. 
He Made Fun of Hindenburg
Artist: George Grosz
Price:
$515.00
Medium: Prints
More Details
Creation Date: 1920
Materials: Wove paper
Dimensions: 13" x 10" x 1"
Condition: Condition: there are areas of discoloration to the paper.
Finish: Unframed
About the Item: Original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Catalogue reference: Rifkind 955. Sheet size: 12 5/8 x 9 1/4 inches (320 x 234 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Signed in the plate (not by hand).
Condition: there are areas of discoloration to the paper.
Condition: there are areas of discoloration to the paper.
About The Artist
George Grosz (1893-1959) was a pivotal German artist, most celebrated for his incisive satires of Weimar-era society. Born in Berlin, he matured in a politically tumultuous environment, which profoundly shaped his artistic vision. Initially influenced by Expressionism, Grosz later became instrumental in the Berlin Dada movement, employing its subversive energy to critique societal decay post-WWI. With the rise of the New Objectivity (Neue Sachlichkeit) movement, his art evolved, presenting unvarnished, often unsettling depictions of urban life. As the Nazis rose to power, Grosz's openly anti-fascist stance endangered him, prompting his emigration to the U.S. in 1933. There, his influence continued to grow, cementing his legacy as a profound commentator on the socio-political landscapes of his times.
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