Flag for a Forgotten People
Artist: Armand Delatour
Price:
$1,380.00
Medium: Painting
More Details
Creation Date: 2022
Materials: Wax, Oil, Wood Panel
Dimensions: 25" x 19" x 1"
Finish: Unframed
About the Item: (Very difficult to photograph inside the case with glass front, so we took a few outside the case. A video is included that we hope helps, thought it suffers from reflections on the glass.)
Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: "No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now." We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. I have framed these in dimensional black boxes, slightly raised from the backing, to emphasize their presence as objects, rather than paintings "of" something, and to give them a presence almost like a relic, or icon, or memento. They have a certain quiet dignity to them."
Again, apologies for the reflections in the glass; also included are photos with the glass front removed, and a video. Measures 25" x 19" with frame.
Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: "No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now." We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. I have framed these in dimensional black boxes, slightly raised from the backing, to emphasize their presence as objects, rather than paintings "of" something, and to give them a presence almost like a relic, or icon, or memento. They have a certain quiet dignity to them."
Again, apologies for the reflections in the glass; also included are photos with the glass front removed, and a video. Measures 25" x 19" with frame.
About The Artist
Armand Delatour is a contemporary artist with a deep connection to the tactile and material qualities of his work, often exploring the space between painting and sculpture. His artistic journey began in earnest about 30 years ago, influenced by a memorable encounter with the renowned painter Brice Marden at the Fort Worth Museum of Modern Art. This moment, marked by humor and shared admiration for Marden's work, left a lasting impression on Delatour, who found inspiration in Marden's minimalist approach.
Delatour’s current series is crafted using oil and beeswax on wood panels, a medium that allows him to explore subtle shifts in color and texture that set his work apart from traditional hard-edged abstraction. His process involves a meticulous layering technique, starting with a complementary underpainting in thinned acrylic, followed by the application of wax—both hot (encaustic) and cold, blended with oil and turpentine. This method results in surfaces rich with character and depth, emphasizing the importance of materials and the physicality of the artwork.
Framed in dimensional settings, Delatour's pieces are presented as objects with the feel of icons, existing in a space that blurs the lines between painting and sculpture. His work is a testament to his belief that the surface and materials are as crucial as the visual image, creating art that invites both tactile and visual engagement.
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