Composition

Paul Jenkins (1923 Ð 2012) was an American abstract expressionist painter. William Paul Jenkins (known as Paul Jenkins) was born in 1923 in Kansas City, Missouri, where he was raised. He met Frank Lloyd Wright who was commissioned by the artist's great-uncle, the Rev. Burris Jenkins (whose own motto was to "live dangerously") to rebuild his church in Kansas City, Missouri after a fire. (Wright suggested that Jenkins should think about a career in agriculture rather than art.) The young Jenkins also visited Thomas Hart Benton and confided his intention to become a painter. The Eastern art collection of the Nelson-Atkins Museum (then, the William Rockhill Nelson Art Gallery) had an early influence on him. In his teenage years, Jenkins moved to Struthers, Ohio to live with his mother, Nadyne Herrick, and stepfather, who both ran the local newspaper. After graduating from Struthers High School, he served in the U.S. Maritime Service and entered the U.S. Naval Air Corps during World War II. In 1948, he moved to New York City where, on the G.I. Bill, he studied at the Art Students League of New York with Yasuo Kuniyoshi for four years, and with Morris Kantor. During that time, he met Mark Rothko, Jackson Pollock, Lee Krasner, and Barnett Newman. In 1953, he traveled to Europe, working for three months in Taormina in Sicily before settling in Paris, France. From 1955 on, the artist shared his time between New York and Paris. From the artist's studio in Paris in 1959, Peggy Guggenheim purchased "Osage," a work on canvas, and continued to later purchase the artist's work. Jenkins continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white linear overlays. Jenkins, described as an abstract expressionist, would at times call himself "an abstract phenomenist." His early works were made in oil on primed canvas, as he continued working on paper with ink and with watercolor. In 1959 and 1960, he explored the writings of Goethe and Kant. Influenced by Goethe's color theories, he began to preface the titles of his works with the word "Phenomena" followed by a key word or phrase. Regarding his paintings, he once said, "I have conversations with them, and they tell me what they want to be called."