Burnt Orange Acorn
Artist: Daniel Klewer
Price:
$4,350.00
Medium: Painting
More Details
Creation Date: 2022
Materials: Acrylic on canvas
Dimensions: 24" x 24" x 3"
Condition: Excellent condition.
Finish: Unframed
About the Item: "Burnt Orange Acorn" brings a feeling of wearing a warm sweater as fall settles in. This piece stands out against Daniel Klewer's other works as he has dulled the colors. As opposed to his normal bright and vibrant color choices. This piece evokes a sense of change and peace. It is the feeling of watching nature change around you. Artwork Size: 24" x 24" x 3"
About The Artist
Daniel Klewer is best known for his painting process which over the years has evolved into him nearly doing away with the brush and implementing non-traditional paint application Klewer’s love of oil and acrylic paint is evident in his treatment of his abstract paint surfaces. He enjoys a meditative, sequential process where the spontaneity of the material is allowed to influence the direction of the work. Daniel was born and raised in Milwaukee and majored in art at the University of Wisconsin Green Bay. He also earned a Master of Arts in visual studies degree from Cardinal Stritch University. He is now based in Green Bay, Wisconsin and his work is inspired by the compositions and colors in the nature around him. Daniel Klewer continues to celebrate his love of oil paint in his ongoing series “Linear Tactility”. The paintings all share a consistent linearly divided composition. Color relationships, texture, and a brushless paint application dominate the paintings’ surface. The paintings unique, sculpturally-textured paint feels as if it is reaching off the canvas towards the viewer. The vibrant colors draw the viewer into the paintings’ surface, while the sharp cactus-like texture pushes back. Botanical Abstractions: Working in oil on canvas, Klewer produces works characterized by a lush paint surface. His works follow strict, self-imposed rules. The artist has a unique process of removing the paint surface, literally stripping back the initial gestural painting and re-attaching the removed paint to the edge of the canvas. As the surface on the painting is repeatedly scraped over, the original pictorial compositions are distorted, blurred, and given new life. These built-up layers of paint accumulated on the edge of the paintings record the artist’s unique process, and have become instantly recognizable as a process and language of painting all his own.
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