Bal AAAA Bullier

Achille-Émile-Othon Friesz, who later just called himself Othon Friesz, was born in Le Havre in 1879. Early on he was encouraged by his parents to become a painter and as soon as 1892 he began training at the Ecole des Beaux-Arts in Le Havre, where he worked at Charles-Marie Lhullier's workshop. It was there that he met with Raoul Dufy and George Braque, with whom he developed a lasting friendship and travelled. In 1897 Friesz was granted a scholarship and studied until 1903 under Léon Bonnat at the École Nationale Supérieure des Beaux-Arts in Paris. He met with Henri Charles Manguin, Albert Marquet, Henri Matisse and Charles Camoin. His contact to Camille Pissaro especially influenced Friesz in that period of creativity. The painter made his artistic debut in 1900 at the Salon of the Société des Artistes françaises. Then he exhibited work in 1904 at the first Salon d'Automne and again in 1906 at the Salon des Indépendants. Over the years Friesz abandoned his former nature-orientated concept in favor of works influenced by Fauvism. The artist travelled extensively, notably to Portugal in 1911 and to Belgium in 1912. Stays in Munich and Düsseldorf as well as the participation in exhibitions by the Berlin Secession made Friesz's work known in Germany as well. Friesz, who participated in exhibitions not only throughout Europe but also in the Armory Show in New York as well as in Chicago, taught between 1912 and 1921 at the Académie Moderne in Paris, from 1925 at the Académie Scandinave and from 1944 at the Académie de la Grande Chaumière. An outstanding late work is the decoration he did with Raoul Dufy for the Palais de Chaillot on the occasion of the World's Fair in Paris in 1937. Even though the artist used a more traditional, austere technique in his late works, several of his earlier works, especially from 1907, are regarded as the boldest examples of Fauvism.