2D/3D SERIES III: Baucis & Philemon
Artist: Daniel Anderson
Price:
$35,000.00
Medium: Painting
More Details
Creation Date: 2023
Materials: sculpted canvas & oil
Dimensions: 48" x 60" x 4"
Finish: Unframed
About the Item: In Ovid's Metamorphoses, Baucis and Philemon; (Greek: Φιλήμων και Βαυκίς, romanized: Philēmōn kai Baukis), were an old married couple in the region of Tyana, which Ovid places in Phrygia, and the only ones in their town to welcome disguised gods Zeus and Hermes" (in Roman mythology, Jupiter and Mercury, thus embodying the pious exercise of hospitality, the ritualized guest-friendship termed theoxenia when a god was involved. Zeus and Hermes came disguised as ordinary peasants, and began asking the people of the town for a place to sleep that night. They had been rejected by all, "so wicked were the people of that land," when at last they came to Baucis and Philemon's simple rustic cottage. Though the couple were poor, their generosity far surpassed that of their rich neighbors, among whom the gods found “doors bolted and no word of kindness." After serving the two guests food and wine (which Ovid depicts with pleasure in the details), Baucis noticed that, although she had refilled her guest's beech wood cups many times, the pitcher was still full (from which derives the phrase "Hermes' Pitcher"). Realizing that her guests were gods, she and her husband "raised their hands in supplication and implored indulgence for their simple home and fare." Philemon thought of catching and killing the goose that guarded their house and making it into a meal, but when he went to do so, it ran to safety in Zeus's lap. Zeus said they need not slay the goose and that they should leave the town. This was because he was going to destroy the town and all those who had turned them away and not provided due hospitality. He told Baucis and Philemon to climb the mountain with him and Hermes and not to turn back until they reached the top. After climbing to the summit ("as far as an arrow could shoot in one pull"), Baucis and Philemon looked back on their town and saw that it had been destroyed by a flood and that Zeus had turned their cottage into an ornate temple. The couple's wish to be guardians of the temple was granted. They also asked that when time came for one of them to die, that the other would die as well. Upon their death, the couple were changed into an intertwining pair of trees, an Oak, standing in the deserted boggy terrain.
About The Artist
Contemporary abstract sculptor and painter Daniel Anderson was born and raised in Pompton Plains, New Jersey. His interest and passion for art began at an early age and led him to be recruited and to receive a scholarship to attend the College of Visual & Performing Arts at Syracuse University in New York. He continued his formal education in Florence, Italy and was the sole artist selected from New York City to participate in an annual residency program in Melbourne, Australia. Continuing with his early childhood obsession of cubism, futurism, and surrealism, Anderson studied and gained inspiration from the works of Picasso, Boccioni, and Dali. Anderson started to push the boundaries of abstraction as it applies to movement, form, and the compositional elements of matter. His vision is inspired by highly mechanical and mathematical methods, and allows his works to transcend traditional forms. Anderson is driven to use his art to bring light to present issues our world is facing. His work promotes and urges society to step back and re-examine the direction of the human footprint in the realms of overconsumption, materialism, and the inevitable and unpredictable wave of technology and global environmental concerns that are poised to define our species His fascination with transitioning in and out of 2D and 3D methods to portray energy, movement and dimension as it relates to color and form allows viewers to experience such elements resurface in his oils. ‘XO World’, one of the monumental sculptures of the XO WORLD Project and installed at One World Trade in New York City, was unveiled on the 40-year milestone of World Peace Day, September 21, 2021. The sculpture is a visual expression of the powerful message of equality, unity, peace, and love.
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